Dhootha Review: Naga Chaitanya’s web-series debut

Dhootha Review: Naga Chaitanya’s web-series debut is a one of a kind addition to the supernatural-horror genre

Planning to watch Naga Chaitanya starrer Dhootha on Amazon Prime Video? Check out Rakishreview’s review of the series to decide whether to watch it or not!

Written by Rakish Review 

Dhootha Review: Naga Chaitanya’s web-series debut is a one of a kind addition to the supernatural-horror genre

 Dhootha Review: Naga Chaitanya’s web-series debut is a one of a kind addition to the supernatural-horror genre 

Name: Dhootha

Cast: Naga Chaitanya, Parvathy Thiruvothu, Priya Bhavani Shankar, Prachi Desai

Director: Vikram K. Kumar

Dhootha, the newest entrant in the realm of Indian supernatural-horror series, effortlessly aligns itself with the esteemed company of acclaimed shows like The Village, Adhura, Betaal, and Ghoul. In a significant turn of events, this series also marks the debut of the versatile actor Naga Chaitanya in the short format genre. Chaitanya takes on the role of an investigative journalist whose life becomes entwined in a web of supernatural occurrences, a direct consequence of his actions. In recent times, the series has been a focal point of numerous discussions, igniting curiosity and anticipation among viewers. Now, the question that lingers is whether Dhootha lives up to the burgeoning hype surrounding it. Let's delve into the depths of the series to unravel the answer!

Dhootha plotline

Naga Chaitanya portrays Sagar, an investigative journalist who launches his own newspaper, Samachar, with the noble promise of truth and justice. However, reality paints a starkly different picture. Sagar, in a duplicitous move, sells "plots" within his newspaper, drawing a clever parallel to real estate transactions. 

On the inaugural night of his media venture, Sagar stumbles upon a newspaper scrap at a nearby Dhaba containing detailed information about his pet dog's demise. Although this unnerves him, he dismisses it initially. Yet, as he discovers more scraps with accurate information, he can't ignore the uncanny accuracy. Subsequent events push Sagar towards criminal activities, leading Deputy Commissioner of Police Kranthi, played by Parvathy Thiruvothu, to pursue him. 

Driven by the mysterious newspaper scraps, the investigative journalist sets out on a quest for answers, enlisting Kranthi's help and pledging to confess his crimes upon resolution. The urgency of the matter intensifies as the lives of his loved ones hang in the balance, adding a profound motivation to his adventurous pursuit.

What works in Dhootha

Undoubtedly, Dhootha presents a refreshingly unique perspective within the supernatural horror genre. Director Vikram K Kumar skillfully establishes and conveys his distinct vision for the Dhootha universe. The significance of rain in the series and the crafted world by the director contribute to the overall atmospheric quality. 

A notable element that captures attention is the exquisite cinematography, seamlessly complemented by the masterful color grading executed by editor Naveen Nooli. Remarkably, the visual storytelling only enhances as the series unfolds. 

Furthermore, the narrative envisioned by the creators holds substantial social relevance, acting as a noteworthy factor. The medium itself serves as the "dhootha," effectively delivering the intended message to the audience.

What does not work in Dhootha

A notable drawback in Dhootha lies in its series length, comprising 8 episodes, each approximately 40 minutes long. At certain junctures, it becomes apparent that scenes have been stretched merely to meet the time target, impacting the overall pacing. 

Vikram K Kumar's attempt to incorporate Hitchcock's Bomb Theory into the series is evident, but while successful on some occasions, it often results in scenes feeling unnecessarily prolonged. Another significant flaw surfaces in the declining quality of dialogues and acting, occasionally resembling a theatrical performance. The inclusion of obvious statements in certain scenes proves to be a dampener for viewers, and adherence to conventional horror tropes is apparent, albeit temporarily. 

In the initial segments, cinematography exhibits weaknesses, with lighting sources prominently visible in the first couple of episodes. Scenes attempting to simulate a 'lightning strike' are noticeably created through blinking lights. Furthermore, the series' music often serves as a guide for the audience's emotions, occasionally overpowering visuals rather than complementing them, reminiscent of soap opera aesthetics.

The performances in Dhootha

Parvathy Thiruvothu, Prachi Desai, and Priya Bhavani Shankar deliver standout performances that steal the show in Dhootha. The series unveils a different facet of Naga Chaitanya, adding an exciting dimension for the audience. However, there are specific instances where Chaitanya's acting appears more attuned to the stage, a critique that extends to Pasupathy's portrayal in the series. Despite this, Pasupathy, playing a significant role, executes his part admirably. In essence, overlooking these minor bumps, the compelling performances in Dhootha, coupled with a robust narrative, form the driving force of the production.

Dhootha: The Verdict

Certainly, Dhootha makes a noteworthy entry into the realm of supernatural-horror genres. The series introduces a distinctive blend of reality and supernatural elements, a rarity in the genre. Despite encountering minor challenges along the way, they do not detract from the overall experience that the series offers as a cohesive package. In essence, Naga Chaitanya's debut in the short format proves to be impressive and is undeniably worth viewing.

Stars :-  ★★★★☆ (4/5)

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